Adorno, T. & Horkheimer, M. (1944). The Culture Industry: Selected Essays On Mass Culture. London: Routledge.
Adorno, T. (1981). The Culture Industry: Selected Essays On Mass Culture. London: Routledge.
Alloway, L. (1972). Network the Art World Described as a System. Michigan, MI: UMI Research Press.
Anderson, I. (2010, February 16). Ian Anderson in Discussuion with Computer Arts. Retrieved 25 September 2016 from https://www.creativebloq.com/branding/ian-anderson-2108916
Arthur, N. (2018). Distribution. England: Open Editions.
Auslander, P. (1999). Liveness: Performance in a Mediatized Culture. London: Routledge.
Autechre. (2002). Autechre, Gantz Graf, still from video. Retrieved 03 June, 2018. Retrieved from https://www.youtube.com/watch?v=ev3vENli7wQ
Balsom, E., & Peleg, H. (2016). The Documentary Attitude. In Documentary across. Cambridge: The MIT Press.
Bamber, V. (2019). Why don’t we just… champion independent music venues? Retrieved 11 February 2019 from https://www.bigissuenorth.com/comment/2019/02/why-dont-we-just-champion-independent-music-venues/#close
Bayer, H. (1967). On Typography. Retrieved 23 July 2016 from http://t-y-p-o-g-r-a-p-h-y.org/MEDIA/PDF/OnTypography.txt
Blamey, D. (2018). Distribution. England: Open Editions.
Blamey, D. (2016). Specialism. London: Open Editions.
Bourdieu, P. (1984). Distinction: A Social Critique of the Judgment of Taste. Cambridge, MA: Harvard University Press.
Bourdieu, P. (1993). The Field of Cultural Production. London: Polity Press.
Bourriaud, N. (1998). Relational Aesthetics. Berlin: Sternberg Press.
Bourriaud, N. (2002). Post-Production. Berlin: Sternberg Press.
Buckner, C, J. (2013). Mastering the Post-Performance
Blues. Retrieved from https://forgingfortitude.files.wordpress.com/2013/10/postperfdepbuckner.pdf
Byrne, D. (2012). How Music Works. Edinburgh: Canongate Books.
Candy, L. & Edmonds, E. (2018) Practice-Based Research in the Creative Arts.
Cardew, B. (2017, July 3). Machines of loving grace: how Artificial Intelligence helped techno grow up. Retrieved 03 December 2017 from https://www.theguardian.com/music/2017/jul/03/artificial-intelligence-compilation-album-warp-records-idm-intelligent-dance-music
Clifford, J., & Marcus, G. E. (1986). Writing Culture, The Poetics and Politics of Ethnography. California CA: University of California Press, Ltd.
Cudny W. (2016). The Concept, Origins and Types of Festivals. In: Festivalisation of Urban Spaces. Springer Geography, Springer, Cham.
Cunningham, C. (2005) Rubber Johnny Music Video with Aphex Twin. Retrieved 09 June 2018. Retrieved from https://www.amazon.co.uk/Rubber-Johnny-Chris-Cunningham-DVD/dp/B0009B0H1C
Debord, G. (1958). Situation: Documents of Contemporary Art. Cambridge MA: MIT Press.
Debord, G. (1967). The Society of The Spectacle. Paris: Éditions Buchet-Chastel.
Eno, B. (2012, September 26). Brian Eno and Peter Chilvers talk Scape, iPad Apps and Generative Music. Retrieved 12 November 2016 from https://www.theguardian.com/music/appsblog/2012/sep/26/brian-eno-scape-ipad-apps
Featherstone, M. (1994). Post-Fordism: A Reader. UK, Blackwell Publishers.
Fisher, M. (2009) Capitalist Realism. UK, John Hunt Publishing.
Flying Lotus (2011). Layer 3 Visual Projection Project. Retrieved on 11 June 2018. Retrieved from https://fbiradio.com/gallery-flying-lotus-at-sydney-opera-house/
Garnham, N., & Williams, R. (1980). Media Culture and Society. London: Academic Press.
Gates, T. (2015). Theaster Gates: Sanctum / 2015 [Exhibition description]. Retrieved 28th June 2016 from http://www.situations.org.uk/projects/sanctum/
Gates, T. (2016). Sanctumbristol.com. Retrieved 24 March, 2016, from http://sanctumbristol.com/
Haenfler, R. (2014). Subcultures. Oxon: Routledge.
Hall, S. (1993). Resistance through Rituals, Youth subcultures in post-war Britain. Oxon: Routledge.
Hebdige, D. (1979). Subculture, The Meaning of Style. London: Methuen & Co.
Heiser, J. (2018). Night Fever: Designing Club Culture 1960-Today. Weil am Rhein, Vitra Design Museum.
Hunter, T, S. (1967). Hell’s Angels, A Strange and Terrible Saga. New York, NY: Penguin Random House.
Hustwitt, G. (Director). (2007, May 8). Helvetica [Motion Picture]. America.
Kelly, B. (1982). THE HAÇIENDA. Retrieved 05 July 2016 from http://benkellydesign.com/hacienda/
Kraftwerk. (2017). 3-D The Catalogue Packaging Designs. Retrieved 10 May 2018 from http://www.kraftwerk.com/
Kries, M. (2018). Night Fever: Designing Club Culture 1960-Today. Brussels: Vitra Design Museum.
Latour, B. (1996) On actor-network theory. A few clarifications plus more than a few complications. Soziale Welt, Vol 47: pp 369-381.
Louder Than War. (2013, January 9). Well known pleasures: in search of where Joy Division cover art came from. [web log comment]. Retrieved from https://louderthanwar.com/in-search-of-where-joy-division-cover-art-came-from/
Maffesoli, M. (1996). The Time of The Tribes: The decline of individualism in Mass Society. England: Sage Publications.
Mauss, M. (1925). The Gift. France, Presses Universitaires.
McFarland. (2013, January 26). Rungs in a Ladder: Jacob Bannon of Converge Documentary. Retrieved from https://www.youtube.com/watch?v=C4r2wlMSLJ0\
McLuhan, M. (1964). Understanding Media. London: Routledge.
MVT. (2015). Retrieved 21 May 2018 from http://musicvenuetrust.com/
Nichols, B. (2006). Speaking Truths With Film. Oakland, CA: University of California Press.
Nicolson, B. (2015). Why The Legacy Of Factory Records Boss Tony Wilson Can Still Be Felt Today. Retrieved 15 August 2016 from https://www.nme.com/features/why-the-legacy-of-factory-records-boss-tony-wilson-can-still-be-felt-today-756877
Ninja Tune. (2010, December 15). Ninja Tune XX Documentary – Ewer Street Car Park, London 2010. Retrieved from https://www.youtube.com/watch?v=N1DQSm6Ca14
Obrist, H. U., (Interviewer) & Vaneigem, R. (Interviewee). (2009). In Conversation with Raoul Vaneigem [Interview transcript]. Retrieved 29 June 2016, from E-Flux website: https://www.e-flux.com/journal/06/61400/in-conversation-with-raoul-vaneigem/
O’Connor, D. (Producer), & O’Connor, D. (Director). (2010, October 23). Upside Down: The Creation Records Story [Motion Picture]. United Kingdom: Revolver Entertainment.
Osgerby, B. (2014). Subcultures, Popular Music and Social Change: Theories Issues and Debates. Newcastle Upon Tyne: Cambridge Scholars.
Postman, N. (1987). Amusing Ourselves to Death: Public Discourse in the Age of Show Business. London: Penguin Books.
Quinn, D. (1999). Beyond Civilisation: Humanities Next Great Adventure. New York, NY: Penguin Random House.
Reynolds, S. (2017, January 24). Party in My Mind: The Endless Half-Lives of IDM. Retrieved 15 February 2017 from https://pitchfork.com/features/lists-and-guides/10011-the-50-best-idm-albums-of-all-time/
Robinson, B. (Director), & Heller, P. (Producer). (1987, April 10) Withnail and I [Motion Picture]. England.
Robertson, B. (2016). Holacracy: The Revolutionary Management System That Abolishes Hierarchy. London: Penguin Books.
Rough Trade. (2013, September 9). The Story Of Rough Trade Records. Retrieved from https://www.youtube.com/watch?v=zXP3kTR4yJA
Rossi, C., & Eisenbrand, J. (2018). Night Fever: Designing Club Culture 1960-Today. Belgium: Vitra Design Museum.
Rutterford, A. (2008). Alex Rutterford on the Creation of the Gantz Graf Video. Retrieved 07 August 2016 from https://warp.net/news/alex-rutterford-on-the-creation-of-the-gantz-graf-video/
Savage, J. (1991). England’s Dreaming: The Sex Pistols and Punk Rock. London: Faber and Faber Limited.
Saville, P. (1978). Fac – 1 Factory Records Logo. Retrieved 24 May 2018, Retrieved from http://www.factoryrecords.net/
Saville, P. (1978). A Factory Sampler Cover Artwork. Retrieved 23 May 2018, Retrieved from https://www.discogs.com/Various-A-Factory-Sample/release/11395
Saville, P. (1980). Closer, Joy Division Cover Artwork. Retrieved 26 May 2018, Retrieved from https://www.theguardian.com/music/gallery/2011/may/29/joydivision-neworder
Saville, P. (2011, May 29). Peter Saville on His Album Cover Artwork. Retrieved 07 July 2016 from https://www.theguardian.com/music/gallery/2011/may/29/joydivision-neworder
Saville, P. (2012). YouTube. Retrieved 04 July, 2016, from https://www.youtube.com/watch?v=BnGKzwoMWqAv
Saville, P. (2015). Kraftwerk: Publikation. London: Omnibus Press.
Saville, P. (2018). Night Fever: Designing Club Culture 1960-Today. Weil am Rhein, Vitra Design Museum.
Schult, E. (1974). Kraftwerk, Autobahn Original Cover Artwork. Retrieved 18 April 2018, from https://classicalbumsundays.com/classic-album-sundays-presents-kraftwerk-autobahn/
Shaughnessy, A. (2018). Distribution. England: Open Editions.
Sinnreich, A. (2014). The Sage Handbook of Popular Music. London: Sage Publications.
Squarepusher, (2012). Live Performance from Squarepushers Ufabulum Tour. Retrieved on 15 June 2018. Retrieved from https://squarepusher.net/
Sunbird Records. (1999). Original image retrieved 04 May 2015, Retrieved from http://www.sunbirdrecords.co.uk
Sunbird Records. (2017). Original image retrieved 11 June 2018, Retrieved from http://www.sunbirdrecords.co.uk
Thornton, S. (1995). Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity Press.
Tull, T. (2008). IMGL_presskit. Retrieved from http://sonyclassics.com/itmightgetloud/IMGL_presskit.pdf
Tull, T. (Producer), & Guggenheim, D. (Director). (2008, August 14). It Might Get Loud [Motion Picture]. United States: Sony Pictures Classics.
Vertigo. (1974). Kraftwerk, Autobahn Import Cover Artwork. Retrieved 18 April, 2018, from https://pocketmags.com/de/classic-pop-magazine/jun-18/articles/375632/classic-album-autobahn?forceRegion=au
Vaneigem, R. (1976). The Revolution of Everyday Life. Paris: Éditions Gallimard.
VICE. (2017). Retrieved 5 March 2017 from https://www.vice.com/en_uk
Warp. (1992). Artificial Intelligence Cover Artwork. Retrieved 27 May 2018, Retrieved from https://www.theguardian.com/music/2017/jul/03/artificial-intelligence-compilation-album-warp-records-idm-intelligent-dance-music
WARP25. (2014). Retreived 22 January 2017 from http://www.warp25.arminunruh.com/
Wilson, T. (2009). YouTube. Retrieved 12 July, 2016, from https://www.youtube.com/watch?v=kiT7arJfr68
Winkler, A. (2018). Night Fever: Designing Club Culture 1960-Today. Brussels: Vitra Design Museum.
WOMAD. (2017). Retrieved 04 May 2018 from http://womad.co.uk/